Joker

Director Todd Phillips “Joker” centers around the iconic arch nemesis and is an original, standalone fictional story not seen before on the big screen. Phillips’ exploration of Arthur Fleck, who is indelibly portrayed by Joaquin Phoenix, is of a man struggling to find his way in Gotham’s fractured society. A clown-for-hire by day, he aspires to be a stand-up comic at night…but finds the joke always seems to be on him. Caught in a cyclical existence between apathy and cruelty, Arthur makes one bad decision that brings about a chain reaction of escalating events in this gritty character study. Three-time Oscar nominee Phoenix (“The Master,” “Walk the Line,” “Gladiator”) stars in the titular role alongside Oscar winner Robert De Niro (“Raging Bull,” “The Godfather: Part II”) as Franklin. The film also stars Zazie Beetz (“Deadpool 2”), Frances Conroy (TV’s “American Horror Story,” Hulu’s “Castle Rock”), Marc Maron (TV’s “Maron,” “GLOW”), Bill Camp (“Red Sparrow,” “Molly’s Game”), Glenn Fleshler (TV’s “Billions,” “Barry”), Shea Whigham (“First Man,” “Kong: Skull Island”), Brett Cullen (“42,” Netflix’s “Narcos”), Douglas Hodge (“Red Sparrow,” TV’s “Penny Dreadful”) and Josh Pais (upcoming “Motherless Brooklyn,” “Going in Style”). Oscar nominee Phillips (“Borat,” “The Hangover” trilogy) directs from a screenplay he co-wrote with Oscar-nominated writer Scott Silver (“The Fighter”), based on characters from DC. The film is produced by Phillips and Oscar nominee Bradley Cooper (“A Star Is Born,” “American Sniper”) under their Joint Effort banner, and Oscar nominee Emma Tillinger Koskoff (“The Wolf of Wall Street”). It is executive produced by Michael E. Uslan, Walter Hamada, Aaron L. Gilbert, Joseph Garner, Richard Baratta, and Bruce Berman. Behind the scenes, Phillips is joined by director of photography Lawrence Sher (“Godzilla: King of the Monsters,” “The Hangover” trilogy), production designer Mark Friedberg (“Selma,” “The Amazing Spider-Man 2”), editor Jeff Groth (“War Dogs,” “The Hangover Part III”), and Oscar-winning costume designer Mark Bridges (“Phantom Thread,” “The Artist”). The music is by Hildur Guðnadóttir (“Sicario: Day of the Soldado”). Warner Bros. Pictures Presents, in Association with Village Roadshow Pictures, in Association with BRON Creative, a Joint Effort Production, a Film by Todd Phillips, “Joker.” It will be in theaters nationwide October 4, 2019 and will be distributed worldwide by Warner Bros. Pictures.

IT Chapter Two

Evil resurfaces in Derry as director Andy Muschietti reunites the Losers Club—young and adult—in a return to where it all began with “It Chapter Two.” The film is Muschietti’s follow-up to 2017’s critically acclaimed and massive worldwide box office hit “IT,” which grossed over $700 million globally. Both redefining and transcending the genre, “IT” became part of the cultural zeitgeist as well as the highest-grossing horror film of all time. Because every 27 years evil revisits the town of Derry, Maine, “It Chapter Two” brings the characters—who’ve long since gone their separate ways—back together as adults, nearly three decades after the events of the first film. Oscar nominee Jessica Chastain (“Zero Dark Thirty,” “Mama”) stars as Beverly, James McAvoy (“Split,” upcoming “Glass”) as Bill, Bill Hader (HBO’s “Barry,” “The Skeleton Twins”) as Richie, Isaiah Mustafa (TV’s “Shadowhunters: The Mortal Instruments”) as Mike, Jay Ryan (TV’s “Mary Kills People”) as Ben, James Ransone (HBO’s “The Wire”) as Eddie, and Andy Bean (“Allegiant,” Starz’ “Power”) as Stanley. Reprising their roles as the original members of the Losers Club are Jaeden Martell as Bill, Wyatt Oleff as Stanley, Jack Dylan Grazer as Eddie, Finn Wolfhard as Richie, Sophia Lillis as Beverly, Chosen Jacobs as Mike, and Jeremy Ray Taylor as Ben. Bill Skarsgård returns in the seminal role of Pennywise. Muschietti directed the film from a screenplay by Gary Dauberman (“IT,” “Annabelle: Creation”) based on the novel IT by Stephen King. Barbara Muschietti, Dan Lin and Roy Lee produced the film, with Marty Ewing, Seth Grahame-Smith and David Katzenberg serving as the executive producers. The behind-the-scenes creative team included director of photography Checco Varese (“The 33”), Oscar-winning production designer Paul Denham Austerberry (“The Shape of Water”), editor Jason Ballantine (“IT,” “Mad Max: Fury Road”), and Oscar-nominated costume designer Luis Sequeira (“The Shape of Water,” “Mama”). The music is by Benjamin Wallfisch (“Shazam!,” “Blade Runner 2049,” “IT”). New Line Cinema presents, a Vertigo Entertainment/Rideback Production, an Andy Muschietti film, “It Chapter Two.” The film is slated for release in theaters and IMAX on September 6, 2019 and will be distributed worldwide by Warner Bros. Pictures.

Good Boys

Just how bad can one day get? The creative minds behind Superbad, Pineapple Express and Sausage Party take on sixth grade hard in the outrageous comedy, Good Boys. After being invited to his first kissing party, 12-year-old Max (Room’s Jacob Tremblay) is panicking because he doesn’t know how to kiss. Eager for some pointers, Max and his best friends Thor (Brady Noon, HBO’s Boardwalk Empire) and Lucas (Keith L. Williams, Fox’s The Last Man On Earth) decide to use Max’s dad’s drone – which Max is forbidden to touch – to spy (they think) on a teenage couple making out next door. But when things go ridiculously wrong, the drone is destroyed. Desperate to replace it before Max’s dad (Will Forte, The Last Man on Earth) gets home, the boys skip school and set off on an odyssey of epically bad decisions involving some accidentally stolen drugs, frat-house paintball, and running from both the cops and terrifying teenage girls (Life of the Party’s Molly Gordon and Ocean’s Eight’s Midori Francis). From Point Grey producers Seth Rogen and Evan Goldberg, the writers of Superbad, Pineapple Express and Sausage Party, and James Weaver (Neighbors), Good Boys, from Universal Pictures and Good Universe, is written by the team of Lee Eisenberg and Gene Stupnitsky (NBC’s The Office, Bad Teacher). Eisenberg also produces and Stupnitsky directs.

Annabelle Comes Home

“Annabelle Comes Home” is the third installment of New Line Cinema’s hugely successful “Annabelle” films starring the infamous sinister doll from the “Conjuring” universe. Gary Dauberman, the screenwriter of the “Annabelle” films, “IT” and “The Nun,” makes his directorial debut on the film, which is produced by Peter Safran (“Aquaman”), who has produced all the films in the “Conjuring” franchise, and “Conjuring” universe creator James Wan (“Aquaman”). Determined to keep Annabelle from wreaking more havoc, demonologists Ed and Lorraine Warren bring the possessed doll to the locked artifacts room in their home, placing her “safely” behind sacred glass and enlisting a priest’s holy blessing. But an unholy night of horror awaits as Annabelle awakens the evil spirits in the room, who all set their sights on a new target—the Warrens’ ten-year-old daughter, Judy, and her friends. The film stars McKenna Grace (TV’s “The Haunting of Hill House,” “Gifted,” “Captain Marvel”) as Judy; Madison Iseman (“Jumanji: Welcome to the Jungle,” “Goosebumps 2: Haunted Halloween”) as her babysitter, Mary Ellen; and Katie Sarife (TV’s “Youth and Consequences” and “Supernatural”) as troubled friend Daniela; with Patrick Wilson (“Aquaman,” “The Conjuring” and “Insidious” films) and Vera Farmiga (“The Conjuring” films, upcoming “Godzilla: King of the Monsters,” TV’s “Bates Motel”) reprising their roles as Ed and Lorraine Warren. Dauberman directed the film from a screenplay he wrote, from a story by Dauberman & Wan. Richard Brener, Dave Neustadter, Victoria Palmeri, Michael Clear, Michelle Morrissey and Judson Scott served as executive producers. Dauberman’s behind-the-scenes team included director of photography Michael Burgess (upcoming “The Curse of La Llorona”), production designer Jennifer Spence (“Annabelle: Creation,” “The Nun”), editor Kirk Morri (“Aquaman”) and costume designer Leah Butler (“Annabelle: Creation”). New Line Cinema presents, an Atomic Monster/Peter Safran Production, “Annabelle Comes Home.” The film is set to open in theatres and IMAX on June 28, 2019 and will be distributed by Warner Bros. Pictures.

Godzilla: King of the Monsters

Following the global success of “Godzilla” and “Kong: Skull Island” comes the next chapter in Warner Bros. Pictures’ and Legendary Pictures’ cinematic MonsterVerse, an epic action adventure that pits Godzilla against some of the most popular monsters in pop culture history. The new story follows the heroic efforts of the crypto-zoological agency Monarch as its members face off against a battery of god-sized monsters, including the mighty Godzilla, who collides with Mothra, Rodan, and his ultimate nemesis, the three-headed King Ghidorah. When these ancient super-species—thought to be mere myths—rise again, they all vie for supremacy, leaving humanity’s very existence hanging in the balance.

The Curse of La Llorona

La Llorona. The Weeping Woman. A horrifying apparition, caught between Heaven and Hell, trapped in a terrible fate sealed by her own hand. The mere mention of her name has struck terror around the world for generations. In life, she drowned her children in a jealous rage, throwing herself in the churning river after them as she wept in pain. Now her tears are eternal. They are lethal, and those who hear her death call in the night are doomed. La Llorona creeps in the shadows and preys on the children, desperate to replace her own. As the centuries have passed, her desire has grown more voracious … and her methods more terrifying. In 1970s Los Angeles, La Llorona is stalking the night—and the children. Ignoring the eerie warning of a troubled mother suspected of child endangerment, a social worker and her own small kids are soon drawn into a frightening supernatural realm. Their only hope to survive La Llorona’s deadly wrath may be a disillusioned priest and the mysticism he practices to keep evil at bay, on the fringes where fear and faith collide. Beware of her chilling wail…she will stop at nothing to lure you into the gloom. Because there is no peace for her anguish. There is no mercy for her soul. And there is no escape from the curse of La Llorona. On April 19, 2019, this timeless Mexican legend comes to terrifying life in New Line Cinema’s “The Curse of La Llorona.” The film is produced by Emile Gladstone, Gary Dauberman (“IT” and “Annabelle” franchises) and James Wan (“The Conjuring” universe). Michael Chaves, who won Shriekfest’s Best Super Short Film in 2016 for “The Maiden,” makes his feature directorial debut. The film stars Linda Cardellini (Netflix’s “Bloodline,” “Avengers: Age of Ultron,”); Raymond Cruz (TV’s “Major Crimes”); Patricia Velasquez (TV’s “The L Word,” “The Mummy” films); and Marisol Ramirez (TV’s “NCIS: Los Angeles”). The cast also includes Sean Patrick Thomas (the “Barbershop” films, “Halloween: Resurrection”), Jaynee-Lynne Kinchen (“Selfless”) and newcomer Roman Christou. Chaves directs from a screenplay by Mikki Daughtry & Tobias Iaconis. The behind-the-scenes team includes director of photography Michael Burgess, production designer Melanie Jones, editor Peter Gvozdas and costume designer Megan Spatz. The music is by Joseph Bishara (the “Annabelle” and “Conjuring” films). New Line Cinema presents An Atomic Monster/Emile Gladstone Production, “The Curse of La Llorona.”

Glass

From Unbreakable, Bruce Willis returns as David Dunn as does Samuel L. Jackson as Elijah Price, known also by his pseudonym Mr. Glass. Joining from Split are James McAvoy, reprising his role as Kevin Wendell Crumb and the multiple identities who reside within, and Anya Taylor-Joy as Casey Cooke, the only captive to survive an encounter with The Beast. Following the conclusion of Split, Glass finds Dunn pursuing Crumb’s superhuman figure of The Beast in a series of escalating encounters, while the shadowy presence of Price emerges as an orchestrator who holds secrets critical to both men. Joining the all-star cast are Unbreakable’s Spencer Treat Clark and Charlayne Woodard, who reprise their roles as Dunn’s son and Price’s mother, as well as Golden Globe Award winner Sarah Paulson (American Horror Story series). This riveting culmination of his worldwide blockbusters is produced by Shyamalan and Blumhouse Production’s Jason Blum, who also produced the writer/director’s previous two films for Universal. They produce again with Ashwin Rajan and Marc Bienstock, and Steven Schneider and Kevin Frakes, who executive produce. Gary Barber and Roger Birnbaum also serve as executive producers. A Blinding Edge Pictures and Blumhouse production, Glass will be released by Universal Pictures in North America on January 18, 2019, and by Buena Vista International abroad.